Willy's rock

DEAD OR ALIVE / The best gold hits

2012-01-20T16:45:00.001+07:00

The best gold hits

Bit rate:320 kps

LINK: thebestgoldhits

1. What i want

2. Misty circles

3. Far too hard

4.You spin me round

5. Brain new lover

6. In to deep

7. Hooked on love

8. Something in my house

9, My heart goes bang

10.I'll save you all my kisses

11.Lover come back to me

12.Baby don't say goodbye

13.Come home with me baby

14.Turn around and count to ten

15.Your sweetness is your weakness

16.I promised my self

17.Hit and run lover

18.Nukleopatra

19.Rebel rebel

20.I'm a star

21.Sex drive

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2011-12-31T12:37:00.000+07:00

I wish you an happy, healthy and full of music new year.

Willy

TOM TOM CLUB / boom boom chi boom boom

2011-12-31T12:34:00.000+07:00

Boom boom chi boom boom

bit rate: 320kps

LINK: boomboomchiboomboom

01. Suboceana

02. Shock the world

03. Don't say no

04. Challenge of the lost warriors

05. Femme fatal

06. Born for love

07. Broken promises

08. She belongs to me

09. Little Eva

10. Mighty teardrops

Tom Tom Club

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Tom Tom Club
Tina Weymouth with Tom Tom Club, 1986
Background information
Genres	New Wave, synthpop, dance-rock, alternative rock
Years active	1981–present
Labels	Sire/Reprise/Warner Bros. Records Rykodisc Island Records Fontana /PolyGram Records Nacional Records
Associated acts	Talking Heads
Website	Official Web Site
Members
Chris Frantz Tina Weymouth
Past members
Adrian Belew Monte Browne Tyrone Downie Mark Roule Victoria Clamp Steve Scales Steven Stanley Alex Weir Bruce Martin Mystic Bowie Laura Weymouth Charles Pettigrew Wally Badarou

Tom Tom Club is an American new wave band founded in 1981 by husband-and-wife team Tina Weymouth and Chris Frantz, both also known for being bandmembers of Talking Heads.

Biography

Originally established as a side project from Talking Heads, Tom Tom Club comprised a loose aggregation of musicians, sound engineers and artists of the Compass Point All Stars family, including Tina Weymouth's sisters and guitarist Adrian Belew, the latter of whom toured with Weymouth and Frantz in the expanded version of Talking Heads in 1980 and 1981.
Named after the dancehall in the Bahamas where they rehearsed for the first time while on hiatus from Talking Heads in 1980, Tom Tom Club enjoyed early success in the dance club culture of the early 1980s with the hits "Genius of Love" and "Wordy Rappinghood", both of which were taken from their self-titled first album released on Sire in the US and Island Records elsewhere in 1981.
"Genius of Love" has been sampled or reinterpreted by many artists, including L'Trimm, MC Redman, Funkdoobiest, and Mariah Carey in her hit single "Fantasy". "It's Nasty" (1982) by Grandmaster Flash and the Furious Five was one of the early hip-hop versions of the song; however, the sample was re-recorded by a live band rather than just taken from the original recording, as was common practice at the time. Another version, "Genius Rap" (1981), by Dr. Jeckyll & Mr. Hyde, was the first cover version. Max B also sampled "Genius of Love" in his single "Get Outta Jail".
Early British pressings of the first Tom Tom Club album featured shorter versions of "Genius of Love" and "Wordy Rappinghood", but to capitalize on the club success of these songs, Island Records reissued the album with the full 12-inch versions in 1982. A new single, a cover version of The Drifters' "Under the Boardwalk", which was the group's second and final UK Top 40 hit, replaced another song "Booming and Zooming". The US version did not contain these modifications until the album was released on compact disc in the 1990s.
The following year, the group released a follow-up, Close to the Bone, which was similar in style to their first album but didn't fare as well, though "The Man With The Four Way Hips" was a minor hit on urban radio in the US. The album was released on cassette and vinyl and was not released on CD until May 2009, as part of a Deluxe Edition package of Tom Tom Club's first album. The original British vinyl album was released in six different colors.One of the album's singles, "Pleasure Of Love", was sampled in "Turning You On", by The Treacherous Three, as it happened with "It's Nasty", the sample was re-recorded by a live band rather than just taken from the original recording.
Tom Tom Club appeared in the Talking Heads concert film Stop Making Sense in 1984, performing "Genius of Love".
There was then a four year gap until the band's next album, the first version of Boom Boom Chi Boom Boom, released in 1988. By this stage, the band's non-US deal with Island had expired and the album was released outside the US on Fontana/PolyGram Records. On the album, the group adapted a more conventional rock style with a harder edged sound and a hint of menace in the lyrics of some songs. The group's line-up was also solidified along more conventional commercial lines. Whereas the previous two albums had been recorded by a loose collective of a dozen musicians, the band was now reduced to the trio of Weymouth, Frantz, and Weymouth's sister Laura Weymouth. There were, however, a number of prominent guest musicians on the record, including Lou Reed and Talking Heads' front man David Byrne on a cover of Reed's "Femme Fatale". The fourth member of Talking Heads, Jerry Harrison, also featured on some tracks. As with Close to the Bone, the album was not a commercial success although "Suboceana" received some radio play, mainly in the UK, and the single "Don't Say No" made the UK Top 100 (Tom Tom Club's fifth, and to date final, single to do so). The album was the first Tom Tom Club album to be issued on CD and the Japanese CD version featured an added bonus track, the B-side "Devil, Does Your Dog Bite?" which was also featured on the soundtrack to the film Married to the Mob. "Suboceana" was also remixed for dance clubs by house-music pioneer Marshall Jefferson.
The following year, in a bid to recapture the attention of the US market, the group and Sire Records decided to issue a radically altered version of the album in the US. The US version of Boom Boom Chi Boom Boom replaced four songs with four others, one of which, "I Confess," was a total overhaul of the original album's "Mighty Teardrop". The running order of the rest of the album was shuffled while the artwork was revamped. However, the changes had little effect on the album's US commercial success.
In 1991, Frantz and Tina Weymouth built the Clubhouse, a painting and music studio, over their garage near Gamecock Island, Connecticut. In 1992 they released the fourth Tom Tom Club album, Dark Sneak Love Action, which included a cover of Hot Chocolate's "You Sexy Thing". The album focused on the burgeoning techno-music scene. A single, "Sunshine & Ecstasy," featured remixes by Roger Sanchez.
The group's next album, The Good, the Bad, and the Funky, was released in 2000 and featured cover versions of Donna Summer's "Love to Love You, Baby" and Lee Perry's "Soul Fire". One of the album's tracks, "Who Feelin' It", was also featured in remixed form in the soundtrack album of the 1999 film American Psycho. Among the musicians on The Good the Bad and the Funky are Jamaican singer Mystic Bowie, Pettigrew and Toots of Toots & the Maytals. The album's release was followed by one European, and several American, tours.
In 2002, Frantz and Tina Weymouth, along with their former Talking Heads bandmates, were inducted at the Rock and Roll Hall of Fame.
A complete live concert was released in 2003 on the double CD Live @ the Clubhouse, recorded at Tom Tom Club's regular hide-out studio, the Clubhouse in Connecticut in front of an audience of fifty guests. Tom Tom Club has been doing incidental live shows since.
In 2007, the band released a special Christmas single called "Mistletunes", containing two specially recorded Christmas songs: "Il est Ne" and "Christmas in the Club", which featured Mystic Bowie and scratcher/turntableist Kid Ginseng (Weymouth and Franz's son). The single was released by Dutch indie label La La Land Records, which was founded by the former Tom Tom Club merchandise crew.
On September 28, 2010, the band released Genius of Live on Nacional Records. The album featured tracks from the album Live At The Club House as well as remix tributes of "Genius Of Love" by such artists as Ozomatli, Nortec Collective, Kinky, Mexican Institute of Sound, Money Mark and The Pinker Tones.

Discography

Studio albums

Year	Album	Chart positions
Year	Album	US ^[2]	US R&B ^[2]	NZ ^[3]	UK ^[4]
1981	*Tom Tom Club* Released: June 23, 1981 Labels: Island Records (UK), Sire Records (US)	23	–	18	78
1983	*Close to the Bone* Released: August, 1983 Labels: Island (UK), Sire (US)	73	49	31	–
1988	*Boom Boom Chi Boom Boom* Released: 1988, 1989 (US version) Labels: Fontana Records (UK), Sire (US)	114	–	–	–
1992	*Dark Sneak Love Action* Released: May 26, 1992 Labels: WEA (UK), Sire (US)	–	–	–	–
2000	*The Good, The Bad, and the Funky* Released: September 12, 2000 Labels: Rykodisc	–	–	–	–

Live and compilation albums

Live @ the Clubhouse (2003)
Tom Tom Club/Close to the Bone (Remastered & Expanded Edition) (2009)
Genius of Live (2010)

Singles

Year	Title	Chart positions							Album
Year	Title	U.S. Hot 100 ^[2]	U.S. Dance ^[2]	U.S. MR	U.S. MSR	U.S. R&B ^[2]	NZ ^[3]	UK ^[4] ^[5]	Album
1981	"Wordy Rappinghood"	-	1	NA	–	–	35	7	*Tom Tom Club*
1981	"Genius of Love"	31	1	NA	24	2	28	65
1982	"Under the Boardwalk"	–	31	NA	–	–	3	22
1983	"The Man With The Four Way Hips"	–	4	NA	–	–	–	82	*Close To The Bone*
1983	"Pleasure of Love"	–	23	NA	–	–	–	–	*Close To The Bone*
1988	"Don't Say No"	–	–	NA	–	–	–	79	*Boom Boom Chi Boom Boom*
1989	"Suboceana"	–	4	10	–	–	–	–	*Boom Boom Chi Boom Boom*
1992	"Sunshine and Ecstasy"	–	9	15	–	–	–	–	*Dark Sneak Love Action*

Watch T.V. shows live on ur PC

2011-12-25T16:33:00.002+07:00

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It is amazing the many opportunities we have with the world wide web on computer. Although Online TV is a relatively innovative technology, it's becoming popular so fast that it may soon displace regular television like the cell phone is replacing landline telephone.

Internet TV news is used primarily for major stories and local news. The foreign bureaus have been cut back for some time now, and the major news networks are relying mostly on 'stringers' for their foreign coverage. Internet television news is not a money making product for TV and is not expected to improve any time soon. Money trumps news, especially in todays competitive and down market due to the economy.

2011-12-25T14:50:00.000+07:00

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WEATHER REPORT / domino theory

2011-12-23T14:27:00.001+07:00

Domino theory

Bit rate:320kps

LINK: dominotheory

01. Can it be done
02. D flat waltz
03. The peasant
04. Predator
05. Blue sound note
06. Swamp cabage
07. Domino theory

With the slow death of WR in the early to mid 80's I stopped buying their lps. I was listening to jazz radio one night and turned it on half way through Db Waltz. I have loved this tune ever since. Hakim gets a groove going on this tune that's awesome! This tune was a return to what made WR great. A good groove and great soloing from Shorter. A nice change from the previous few techno synth albums which "shorted" shorter. The rest of album has its good moments as well. If you are a Omar Hakim fan get this one and Procession and invite some friends over to dance. (sure they willl find you strange but what the hell)

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WEATHER REPORT / live in Tokyo

2011-12-23T13:38:00.000+07:00

Live in Tokyo

Bit rate: 320kps

LINK: liveintokyo

01._Medley Vertical Invader Seventh ArrowT.H.Doctor Honoris Causa
02._Medley Surucucu Lost Early Minor Directions
03._Orange Lady
04._Medley EurydiceThe Moors
05._Medley Tears Umbrellas

In principle, this live concert from 1972 follows the same approach as Weather Report's self-titled debut: ensemble improvisation where pretty much anything goes. But whereas the debut is a dreamy, laid-back affair, Live in Tokyo is a fierce, aggressive document of a band that was more "free" than "fusion". (Compare this to Miles Davis's 1970 Fillmore concerts, which have a similar point of departure.) Zawinul's playing on the Fender Rhodes is dissonant and processed with primitive electronics, and on the acoustic piano he's all over the place -- from Bill Evans-like meditations to messing around with the piano's innards. Wayne Shorter, little more than sonic wallpaper on some later albums, blows like a madman on the tenor and soprano saxophones. And the rhythm section (Miroslav Vitous, Eric Gravatt, Dom Um Romeo) is the most spontaneous in WR's catalogue, and arguably the most exciting. The music is organized into 5 lengthy medleys, containing some material from Weather Report's debut as well as otherwise unreleased stuff. There's also a compact, blistering version of Zawinul's "Directions". This music is not for the faint of heart (fans of Black Market and Heavy Weather won't find much to like here) but showcases a band at the peak of its abilities. This essential live recording isn't available domestically so snap it up while you can!

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THE DOORS / an American prayer

2011-12-23T12:44:00.001+07:00

An American prayer

Bit rate:320 kps

LINK: anamericanprayer

1. Awake

2. Ghost Song

3. Dawn's Highway

4. Newborn Awakening

5. To Come Of Age

6. Black Polished Chrome

7. Latino Chrome

8. Angels And Sailors

9. Stoned Immaculate

10. The Movie

11. Curses, Invocations

12. American Night

13. Roadhouse Blues

14. The World On Fire

15. Lament

16. The Hitchhiker

17. An American Prayer

18. Hour For Magic

19. Freedom Exists

20. A Feast Of Friends

21. Babylon Fading

22. Bird Of Prey

23. The Ghost Song

I'll admit, I don't really listen to my other Doors CD's that much anymore...but "An American Prayer" is an exception. Jim Morrison will be recognized as one of the most important (and certainly the most imitated) frontmen in the history of rock/pop music, and deservedly so...but as most knowledgeable music afficianados (Rob O'Connor need not apply) will tell you, Morrison was a great deal more. As compelling (and disturbing) as his lyrics were, it was with the medium of poetry that Morrison truly felt his place to be; his desire was to use popular music as a means of presenting his writing to a greater audience. Having three of the most talented and versatile musicians of the 1960's in his band certainly didn't hurt, and this as much as Morrison's own talents as a lyricist and indominitable charisma as a frontman helped to achieve this end. The reading that he gives on this CD (recorded on Morrison's birthday in 1970, I believe) is first rate. And though it must be allowed that Morrison probably never intended for musical accompanyment to be added to his words (this was done by the surviving Doors members years after his death), it was likely Schiller probably felt the same way at the time he wrote his "Ode to Joy"...and Beethoven's use of Schiller's piece in his 9th Symphony finale certainly can't be seen as a dilution of that work by any stretch of the imagination. Nor is the subsequent Doors instrumentation (as well as the addition of previously released music) to be seen as a lessening of the experience of "An American Prayer". This is an extremely well-conceived production; the music compliments Morrison's reading perfectly. Morrison himself reads in a soothing, engaging, and intimate manner (similar to Charles Bukowski's "Run With The Hunted" expanded CD session), and, if indeed he was "Stoned Immaculate" at the time of the recording, the clarity of his voice lays more to inspiration rather than inebriation. This CD finds all participants in finest form, and the result is an extremely natural progression of sound. This recording may be considered "spoken word" due to its vocal delivery (and as such is unsurpassed by Bukowski, Henry Rollins, William Burroughs, or anyone else to whom I've compared it), but as with the work released by the Doors as a band, the music here is not to be underestimated. This recording was well ahead of its time, and in my opinion represents the Doors as Morrison had intended them to become through an evolution he was unfortunately unable to see through; I believe he would have approved of this work, and I can't recommend it enough, either to fans of poetry, music, and of life itself.
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SOCRATES / phos

2011-12-20T14:10:00.003+07:00

Phos

Bit rate:256 kps

LINK: phos

1. Starvation
2. Queen of the universe
3. Every dream comes to an end
4. The bride
5. Killer
6. A day in heaven
7. Time of pain
8. Mountains

After shortening their name to "Socrates" from the original "Socrates Drank The Conium", Greece's favorite and most famous rock trio collaborated with former Aphrodite's Child keyboard wizard Vangelis Papathanassiou (yes, THAT Vangelis) for this album, which is arguably their magnum opus and the closest they've ever come to the progressive rock genre. Lush, atmospheric keyboards enhance the intricate arrangements, which are on par with the best the international rock, hard rock and progressive rock could offer at the time. The only gripe is the wiry, weak and nasal tone of Yiannis Spathas' guitar. "Killer" is actually a reworking of the frenetic, driving "Death Is Gonna Die" from their previous effort, "On The Wings"; don't confuse it with Adamski's dance hit. "Mountains" is perhaps the finest example of how an electric guitar can be used to play a traditional improvised Greek clarinet solo. "Queen Of The Universe" is just what a love song should be, sensitive and heartfelt, without being mushy and corny - and it also has a gorgeous melody. "Starvation" is the album's most famous song. Although it's incredibly well-composed and written, this is where we see why I don't like the guitar tone. All of the songs, in general, are of a very high standard. I highly recommend this album to every rock connoisseur.

///////////////////////////////////////////////////////////////////////////////////

Socrates was Yannis Spathas and Antonis Tourkoyorgis on guitar and bass respectively. During the period that they were playing in the Kitarro Club they went through several drummers including George Trantalidis, all of them terrific. In Athens during the early seventies, when the 1967 military dictatorship was still in control, there were a number of rock clubs in the area around Victoria Square and in the Plaka. Poll and Morka played at the Elaterion. Socrates and Exidaktilo played at the Kitarro. As Dorian Kokas, the founder and leader of Morka told us one night "We used to race through our set and play everything fast so we could get out early and go to the Kittaro and catch the last set of Socrates." Musicians loved Socrates.

Socrates sounded like several bands that were popular at the time, Jimi Hendrix Experience, Deep Purple, Blue Cheer, and Black Sabbath come to mind now when I hear their music from that early period, though the majority of their material was original. There were songs that were crowd favorites such as "Close the Door and Lay Down", "Starvation" and "Underground", but often the highlight of the evening was when they did their Hendrix songs like "Voodoo Chile", "Message of Love" and "Red House" or jammed on songs like "Kansas City" with singer Jimi Quidd (later of the NY Dots) and Greek-American blues guitarist John Kronis.

Spathas played a Fender Strat, long straight hair hanging down almost to the guitar, he was motionless except for his hands which effortlessly ripped out the most fluid, solos and riffs. He always hooked the chord to his amp over the bottom cutaway so he would not step on it and pull it out during a solo, I suppose. It was sort of his trademark in a way and we would watch him tune up and wait for him to do it which meant to us that the music was about to begin. He would play some mind-boggling riff to make sure the volume was right or the guitar was in tune and they would be off. Antonis Tourkoyorgis played bass and sang and if Spathas gave the appearance of being introverted he was the complete opposite. He was also a great bass player. The powerful sound this little three-piece band with their stacks of Marshalls put out in the Kittaro kept us coming back night after night. In all honesty I have to say that to this day I have not heard any band, three-piece or more, fill as much musical space. Seeing the Who in 1976 I found myself comparing them to Socrates. OK, the Who is the Who. But apart from the personalities, the songs I knew and the flamboyance, were Townshend, Entwhistle and Moon as good a band as Socrates? No way. Led Zepplin? Nope. You'd have to ask someone who had seen Hendrix or Cream to make the judgement about those bands but I can't imagine anyone being better than Socrates on a good night and as far as those nights in the Kittaro went I don't think they ever had a bad night. They were too good to have a bad night.

What made them so remarkable was the guitar playing of Spathas. Even today listening to the solos he played in 1972 I still can't believe the music he was making. Brent Lambert of Kitchen Mastering, quite a guitar player himself, after hearing several Spathas solos from thirty years ago said "If this guy had come to America he would be a guitar hero and everyone would know his name." If you liked the way Hendrix, Ritchie Blackmore, Jimmy Page and Eddie Van Halen play you will love Spathas and if you play guitar yourself you will wonder "If this was thirty years ago and he is still playing how good must he be now?"

Socrates made two albums as a three-piece, both pretty awful because of poor mixing and mastering though the songs and performances were good. In those days producers had no idea what to do with a group like Socrates. It would be like recording Rage Against The Machine after spending 20 years doing Herman's Hermits. Later the group added a lead singer and different variations of guitarists, keyboards. At one time both Spathas and Tourkoyorgis played guitars. Vangelis Papathanasiou, otherwise known as Vangelis joined them for an album and made them more of a progressive-rock band with lots of keyboard, synth and guitar interweavings. But the three-piece version of the band's first two albums and the original rock-blues style was probably their best shot at world fame.

Socrates still plays. They are again a three-piece with Spathas and Tourkogiorgis joined by Makis Gioulis, a fine drummer in the traditon of the band. Asteris Papastamatakis plays keyboards on some material and a female vocalist named Markela Panagiotou, harmonizes and does duets with Tourkogiorgis and sings a couple songs on her own. Still the best part of the night for me is when the band strips down to the core of guitar-bass-drums and they play the old songs from the Kittaro or jam on some Hendrix tunes. Maybe I am just nostalgic but I can't help listening to them and thinking of what might have been. Had it not been for the fact that they were at their prime during the dictatorship then maybe Greece might have been known as the country that gave us Socrates instead of Yanni. Then again oppression can breed great art as an instrument of rebellion. Socrates with their long hair, beards and high-energy blues and rock and roll were a window on the world outside and the reason people crammed into the Kittaro every weekend. For that reason they belong alongside the great bands of Rock and Roll History.

Essential discography:
-Socrates drank the conium (1972, Polydor)
-Taste of conium (1972, Vertigo)
-On the wings (1973, Polydor)
-Phos (1976, Vertigo)

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LED ZEPPELIN / greatest hits 2008

2011-12-19T09:48:00.001+07:00

I re-upload "greatest hits 2008"
Go to "labels" 'led zeppelin

PARADISE LOST / one second

2011-12-16T17:15:00.001+07:00

One second

Bit rate: 320 kps

LINK: onesecond

1. one second

2. say just words

3. Lydia

4. mercy

5. soul courageous

6. another day

7. the sufferer

8. this cold life

9. blood of another

10.disappear

11.sane

12.take me down

The album that has some Paradise Lost fans up in arms. Is it a great, well-orchestrated, defining pinnacle in a fairly decent catalogue? Or is it a whiny collection of sad, depressing drivel from a band that lost its greatness? I opt for the former. It's different. It's refreshing. Nick Holmes is at his eerie best on faves "This Cold Life" and "Blood Of Another". A perfect blend of goth and metal, Paradise Lost should have a larger fan base than they do. Yes, they've changed, sure they've toned down a bit, but they did it with style. Gosh, what a cool band.

This disc is bottled intensity -- epic, dramatic, and intoxicating. Dark and sinister without resorting to screams and howls ... this band writes music that haunts you. From the piano line of "One Second" that opens the album, to the pained, slow pace of "Take Me Down", Paradise Lost weaves a musical tapestry that ensnares anyone who dares to listen. One for the ages. Among my favorite albums of all time.

Yeast infection

2011-12-11T14:28:00.001+07:00

Are You Suffering From Any of the Following Emotional or Physical Symptoms?

Itching or Burning Sensation In Your Intimate Parts
Vaginal Odor Or Vaginal Discharge
Leaky Gut Syndrome
Arthritis
Painful Urination or Other Urinary Disorders
Painful Sex
Sexual Dysfunction or Impotence
Depression or Mood Swings
Chronic Rashes
Constant Tiredness or Fatigue
Irritability
Joint Pain or Swelling
PMS
Digestive Pain
Muscle Aches
Short Attention Span
Hand Pain
Hip and Knee Pain
Headaches or Constant Migraines
Constipation
Unexplainable Lack of Energy
Acne or Rosacea
Respiratory Infections
Bloating or IBS
Hypoglycemia
Menstrual Pain
Skin Lesions
Shortness of Breath
Food Allergies
Learning and Memory Problems
Increased Craving For Carbohydrates
Eczema
Jumpy Legs
Blurred Vision Or Brain Fog
Oral Yeast Infection (Oral Thrush)
Male Yeast Infection
Yeast Infections in Your Toe or Fingernails
Unexplainable Feeling of "Not being yourself"

Read This.

PARADISE LOST / icon

2011-12-11T14:15:00.001+07:00

Icon

Bit rate: 192kps

LINK: icon

1. Embers fire

2. Remembrance

3. Forging sympathy

4. Joys of the emptiness

5. Dying freedom

6. Widow

7. Colossal rains

8. Weeping words

9. poison

10.True belief

11.Shallow seasons

12.Christendom

13.Deus miserestur

If you were to look up "doom metal" in the Headbangers' Illustrated Dictionary, you might just see a picture of Icon. Slower and heavier than the masterpiece that followed it (Draconian Times), Icon is a powerful album that takes several listens before you really begin to appreciate it. But once you've digested its subtleties, you'll find yourself returning to it again and again for years to come.

Listening to Paradise Lost is all about letting the euphoric melancholia that only they can create take over your senses. And nowhere is this melancholia more in effect than on Icon. Just seconds into the gorgeous orchestral synth introduction to the first track, "Embers Fire", you'll sense that feeling creeping over you - you're pleasantly depressed. Don't worry, you'll snap out of it in, oh, about 50 minutes. Your only job is to enjoy it while it lasts.
The songs flow seamlessly one into the next with the highlights being "Embers Fire", "Dying Freedom", "Widow", "Poison", and "True Belief". "Christendom" incorporates female vocals to fine effect. As in most middle-era Paradise Lost, there are some great melodic guitar solos on Icon. By album's end, you're drained but ready to resume normal life again.
If you are into Paradise Lost at all, you need to have this album. If you are new to Paradise Lost and curious to try them out, I recommend you start out with the more accessible classics, Draconian Times and One Second, then work your way back to Icon. Icon is an album for true Paradise Lost aficionados.

PARADISE LOST / draconian times

2011-12-10T16:46:00.001+07:00

I really love this dark wave LP (gothic metal). One of my favorite.

Draconian times

Bit rate: 320kps

LINK: draconiantimes

1. Enchantment
2. Hallowed land
3. The last time
4. Forever failuer
5. Once solemn
6. Shadowkings
7. Elusive cure
8. Yearn for change
9. Shades of god
10.Hands of reason
11.See your face
12.Jaded
13.Another desire
14.Fear

Paradise Lost

Paradise Lost
Paradise Lost live in 2007 with former drummer Jeff Singer.
Background information
Origin	Halifax, West Yorkshire, England
Genres	Doom metal, death/doom (early), synthpop/synthrock (middle era), gothic metal
Years active	1988–present
Labels	Century Media, Music for Nations, Koch, GUN, Peaceville, EMI Electrola
Website	www.paradiselost.co.uk
Members
Nick Holmes Gregor Mackintosh Aaron Aedy Steve Edmondson Adrian Erlandsson
Past members
Lee Morris Matthew Archer Jeff Singer

Paradise Lost are a heavy metal band that formed in 1988 in Halifax, England.

History

Their first three full-length albums are examples of the death/doom style, although the latter two incorporated some melodic and gothic elements. However, with the release of the seminal albums Icon (1993) and Draconian Times (1995), Paradise Lost also became known as pioneers of the gothic metal subgenre. In accordance with the change in musical approach, vocalist Nick Holmes changed his singing style. He used a death grunt on the band's first three albums, but on Icon refined his voice to have a cleaner tone. Later (circa 1997), the band began experimenting with electronic styles but after four albums reverted again to gothic metal.
Their line-up has remained stable for such a long-standing heavy metal band, consisting of singer Nick Holmes, guitarists Greg Mackintosh and Aaron Aedy, and bassist Steve Edmondson. Holmes and Mackintosh are the principal composers, with almost all of the band's songs credited to them. During the years, the band has only changed drummers, with original member Matthew Archer replaced in 1994 by ex-Marshall Law drummer Lee Morris In March 2004, Morris left the band. Jeff Singer took Morris' place and has played on all subsequent releases, though he was not listed as a permanent band member until the release of the single "The Enemy" in 2007. In a recent video interview, Mackintosh and Holmes revealed that Singer had already auditioned for the band when Archer left, but they chose Morris instead because "[Singer] had a pink drumkit".
Early on, Paradise Lost were inspired by Kreator, Celtic Frost, Candlemass, Death, Morbid Angel, and Repulsion. Up to 1989, the band recorded demo cassettes, then signed with Peaceville Records for their first album (recorded at The Academy), Lost Paradise. Their debut was well received by press and fans alike. In November 1990, Paradise Lost went back to The Academy to work on the second album. 1991's Gothic (also on Peaceville) was the band's stylistic breakthrough, eventually becoming an influential album within the extreme metal circles. The album was labeled a "classic" and was rated highly by both fans and critics. The album expanded beyond the original death/doom format by being more melodic and featuring symphonic orchestra and female vocals by Sarah Marrion. With this album the band pushed "gothic" into the metal scene and started a new genre - gothic metal. Paradise Lost was signed to the Music for Nations label, and in July 1992 released Shades Of God. The album contained the song "As I Die," later released as a single/EP. In summer 1993, the band commenced work on their fourth full-length record, Icon which was released on September in the same year. The album hit the German charts at number 31, It solidified the band's position in the mainstream metal scene. Draconian Times, one of the band's most successful albums came in June 1995; a limited edition digipack offered a second disc, dubbed "Live Tracks, Demos & B-Sides," with five live recordings as well as demos and outtakes. To promote the album, Paradise Lost went on a tour through Europe, South America, Australia, and Japan.
On the album One Second (1997), the band began to experiment with Depeche Mode-esque synth pop and electronica. The album turned out to be one of the band's most important releases, cracking the German and Swedish top ten charts and giving the band a boost in popularity everywhere, it seemed — except the UK. The band later contracted EMI Electrola in Germany for its next album, Host, released in 1999, on which they continued to experiment with new sounds, appearing to shed their metal roots. On the next album, Believe in Nothing (2001), Paradise Lost continued the synth direction, but adding rock elements to the music. In May 2002, the band signed to GUN records, and on the album that followed, Symbol of Life, the metallic roots of the band began to resurface.
Paradise Lost released their 10th, eponymous album in 2005 on GUN records. The eleventh album, In Requiem, was released in Spring 2007 on Century Media; it was generally well-accepted and highly rated by both critics and fans, pleased to see the band returning to their heavier, gothic metal sound similar to that of earlier albums like Draconian Times. The full-length was preceded by a single, "The Enemy."
In November 2007, Century Media released the DVD Over The Madness, which documents the impact Paradise Lost has had on gothic metal and provides insight into the mindset and workings of Paradise Lost. Disc 2 includes further interviews, rehearsal footage, plus backstage and memorabilia sections.
On 13 August 2008, drummer Jeff Singer announced his departure from the band on the Paradise Lost official website. He wanted to be with his family, had an upcoming job, and the then-upcoming South American tour would interfere with that. As a result, Paradise Lost had to cancel the South American tour dates that they had planned. Soon after, on 28 August 2008, the Paradise Lost official website announced that the cancelled South American tour has been reconfirmed and that Mark Heron from Oceansize would take over on drums.
At the beginning of 2009, Paradise Lost recorded their new album with producer Jens Bogren in Fascination Street Studios in Örebro, Sweden. At the time there was no full-time replacement for Jeff Singer and drums were played by Swedish drummer Peter Damin. On 16 March 2009, when the album was already finished with being recorded, the band recruited Adrian Erlandsson (ex-At the Gates, ex-Cradle of Filth) as a full-time drummer for the band.
On 18 June 2009, Paradise Lost officially announced Faith Divides Us - Death Unites Us as the title of their upcoming new album, to be released on Century Media Records on 25 September 2009 in Germany, on 28 September 2009 in the rest of Europe and on 6 October 2009 in the US.
Paradise Lost headlined the Jägermeister Stage at Ozzfest 2010 on 18 September 2010.
In late 2011, Paradise Lost began recording it's 13th studio album "Tragic Idol" in The Chapel Studios in Lincolnshire. The release date is April 23rd 2012.

Members

Current members

Nick Holmes at Metalmania 2007 festival in Katowice, Poland.

Nick Holmes - vocals (1988–present)
Greg Mackintosh - lead guitar (1988–present)
Aaron Aedy - rhythm guitar (1988–present)
Steve Edmondson - bass guitar (1988–present)
Adrian Erlandsson - drums (2009–present)

Former members

Matthew Archer – drums (1988–1994)
Lee Morris - drums (1994–2004)
Jeff Singer - drums (2004–2008)

Session members

Mark Heron - touring drums (2008)
Peter Damin – studio drums (2009)
Milly Evans - touring guitar (2009–2010), touring keyboards and backing vocals (2011)

Discography

Main article: Paradise Lost discography

Studio albums

Lost Paradise (1990)
Gothic (1991)
Shades of God (1992)
Icon (1993)
Draconian Times (1995)
One Second (1997)
Host (1999)
Believe in Nothing (2001)
Symbol of Life (2002)
Paradise Lost (2005)
In Requiem (2007)
Faith Divides Us – Death Unites Us (2009)
Tragic Idol (2012)

Live recordings

At the BBC (2003)
The Anatomy of Melancholy (2008) (Live double-DVD set, and Live double-CD set)
Draconian Times MMXI (2011)

THE DOORS / Morrison hotel

2011-12-09T17:01:00.002+07:00

Morrison hotel

Bit rate: 128 kps

LINK: morrisonhotel

1. Roadhouse blues
2. Waiting for the sun
3. You make me real
4. Peace frog
5. Blue sunday
6. Ship of fools
7. Land ho
8. The spy
9. Queen of the highway
10.Indian summer
11.Maggie M Gill
12.Talking blues
13.Roadhouse blues (take 1-3)
14.Roadhouse blues (take 6)
15.Caroll
16.Roadhouse blues (take 1)
17.Money beats soul
18.Roadhouse blues (take 13-15)
19.Peace frog (false starts and dialogue)
20.The spy
21.Queen of the highway (jazz version)

The Doors

The Doors
Promotional photo of the Doors in late 1966 (l-r: Densmore, Krieger, Manzarek and Morrison)
Background information
Origin	Los Angeles, California, United States
Genres	Psychedelic rock, blues rock, acid rock, rock and roll, hard rock^[1]^[2]
Years active	1965–1973 (Reunions: 1978, 1993, 1997, 2000, 2011)
Labels	Elektra Rhino
Associated acts	Rick & the Ravens, The Butts Band, Nite City, Manzarek-Krieger
Website	thedoors.com
Past members
Jim Morrison Ray Manzarek John Densmore Robby Krieger

The Doors were an American rock band formed in 1965 in Los Angeles, California, with vocalist Jim Morrison, keyboardist Ray Manzarek, drummer John Densmore, and guitarist Robby Krieger. The band took its name from Aldous Huxley's book The Doors of Perception, the title of which was a reference to a William Blake quotation: "If the doors of perception were cleansed every thing would appear to man as it is, infinite." They were among the most controversial rock acts of the 1960s, due mostly to Morrison's wild, poetic lyrics and charismatic but unpredictable stage persona. After Morrison's death in 1971, the remaining members continued as a trio until finally disbanding in 1973.
Although The Doors' active career ended in 1973, their popularity has persisted. According to the RIAA, they have sold over 35 million albums in the US alone. The band has sold nearly 100 million albums worldwide. Ray Manzarek and Robby Krieger continue to tour as Manzarek-Krieger, performing Doors songs exclusively. They were the first American band to accumulate eight consecutive gold LPs. Three of the band's studio albums, The Doors (1967), Strange Days (1967), and L.A. Woman (1971), were featured in the Rolling Stone list of The 500 Greatest Albums of All Time, at positions 42, 407 and 362 respectively. In 1993, The Doors were inducted into the Rock and Roll Hall of Fame.

History

1965–68

Origins and formation

The Doors performing for Danish television in 1968

The origins of The Doors lie in a chance meeting between acquaintances and fellow UCLA film school alumni Jim Morrison and Ray Manzarek on Venice Beach in Los Angeles, California in July 1965. Morrison told Manzarek he had been writing songs (Morrison said "I was taking notes at a fantastic rock-n-roll concert going on in my head") and, with Manzarek's encouragement, sang "Moonlight Drive". Impressed by Morrison's lyrics, Manzarek suggested they form a band.^{[citation needed]}
Keyboardist Manzarek was in a band called Rick & the Ravens with his brothers Rick and Jim Manzarek, while drummer John Densmore was playing with The Psychedelic Rangers, and knew Manzarek from meditation classes. In August, Densmore joined the group and, along with members of The Ravens and bass player Pat Sullivan (later credited using her married name Patricia Hansen in the 1997 box CD release), recorded a six-song demo in September 1965. This has since then circulated widely as a bootleg recording. That month the group recruited guitarist Robby Krieger, and the final lineup — Morrison, Manzarek, Krieger and Densmore — was complete. The band took their name from a line in William Blake's poem The Marriage of Heaven and Hell; "If the doors of perception were cleansed everything would appear to man as it is, infinite".

Whisky a Go Go

By 1966, the group was playing the LA club London Fog and soon graduated to the prestigious Whisky a Go Go, where they were the house band, supporting acts including Van Morrison's group Them. On their last night together the two bands joined up for "In the Midnight Hour" and a twenty-minute jam session of Them's "Gloria".^[10] Prior to graduating to Whisky a Go Go, Morrison went to many record labels trying to land a deal. He did score one but it did not pan out. On August 10, they were spotted by Elektra Records president Jac Holzman who was present at the recommendation of Love singer Arthur Lee, whose group was on Elektra. After Holzman and producer Paul A. Rothchild saw two sets of the band playing at the Whisky a Go Go, they signed them to the Elektra Records label on August 18—the start of a long and successful partnership with Rothchild and engineer Bruce Botnick. Later that month, the club fired the band after a profanity-filled performance of "The End".

Debut album

The band recorded their first album from August 24 to 31, 1966 at Sunset Sound Recording Studios. 'The Doors' self-titled debut LP was released in the first week of January 1967. It featured most of the major songs from their set, including the nearly 12-minute musical drama "The End".
In November 1966, Mark Abramson directed a promotional film for the lead single "Break On Through (To the Other Side)". To promote the single, the Doors made their television debut on a Los Angeles TV show called Boss City, circa 1966, possibly early 1967 and then on a Los Angeles TV show called Shebang, miming to "Break On Through," on New Year's Day 1967. This clip has never been officially released by the Doors.
Since "Break on Through" was not very successful on the radio, the band turned to "Light My Fire". The problem with this song was that it was seven minutes long, so producer Paul Rothschild cut it down to a three minute song. "Light My Fire" became the first single from Elektra Records to reach number one on the Billboard Hot 100 singles chart, selling over a million copies. "Light My Fire" was the first song ever written by Robbie Krieger and was the beginning of the band's success.

Live at the Matrix 1967

Early live recordings at The Matrix

From March 7 to March 11, 1967, The Doors performed at the Matrix Club in San Francisco, California. The March 7 and 10 shows were recorded by a co-owner of The Matrix, Peter Abram. These recordings are notable as they are among the earliest live recordings of the band to circulate. On November 18, 2008, The Doors published a compilation of these recordings, Live at the Matrix 1967, on the band's boutique Bright Midnight Archives label.

Early television performances

The Doors appeared on American television on August 25, 1967, guest-starring on the variety TV series, Malibu U, performing "Light My Fire". They did not appear live. The band is seen on a beach and are performing the song in play back. The music video did not gain any commercial success and the performance was more or less forgotten. It was not until they appeared on The Ed Sullivan Show that they gained attention on television.

Performing at The Scene in June 1967

The Doors made their international television debut in May 1967, recording a version of "The End" for the Canadian Broadcasting Corporation (CBC) at O'Keefe Centre in Toronto. But after its initial broadcasts, it remained unreleased except in bootleg form until the release of The Doors Soundstage Performances DVD in 2002. As "Light My Fire" climbed the charts in June and early July, The Doors were on the East Coast as an opening act for Simon and Garfunkel in Forest Hills, Queens and as headliners in a Greenwich, Connecticut, high-school auditorium. It was at this time in Connecticut that the Doors first met Ross M. Brown.
On September 17, 1967, The Doors gave a memorable performance of "Light My Fire" on The Ed Sullivan Show. According to Ray Manzarek, network executives asked that the word "higher" be removed in favor of "better." The group initially agreed to this, but nonetheless performed the song in its original form, either because they had never intended to comply with the request, or Jim Morrison was nervous and forgot to make the change (Manzarek has given conflicting accounts). Either way, "higher" was sung out on national TV, and a furious Ed Sullivan canceled another six shows that had been planned, to which Jim Morrison reportedly said to a show producer: "Hey man. We just did the Sullivan Show."
On December 24, The Doors performed "Light My Fire" and "Moonlight Drive" live for The Jonathan Winters Show, their performance was taped for later broadcast. From December 26 to December 28, the group played at the Winterland Ballroom in San Francisco. An excerpt taken from Stephen Davis' book on Jim Morrison (p. 219–220):

The next night at Winterland, a TV set was wheeled onstage during The Doors set so the band could see themselves on The Jonathan Winters Show. They stopped playing "Back Door Man" when their song came on. The audience watched the Doors watching themselves on TV. They finished the song when their bit was done, and Ray walked over and turned the TV off. The next night was their last ever in Winterland.

They played two more dates in Denver on December 30 and December 31, 1967, capping off a year of almost constant touring.

Strange Days

The Doors spent several weeks in Los' Angeles' Sunset Studios recording their second album, Strange Days, experimenting with the new technology they now had available. The commercial success of Strange Days was middling, peaking at number three on the Billboard album chart but quickly dropping, along with a series of underperforming singles. The chorus from the album's single "People Are Strange" inspired the name of the 2010 documentary of The Doors, When You're Strange.
Strange Days was the first Doors album recorded with a studio musician on bass, and this continued on all subsequent studio albums. Manzarek explained that his keyboard bass was well-suited for live situations but that it lacked the "articulation" needed for studio recording. Douglass Lubahn played on Strange Days and the next two albums; but the band utilized several other musicians for this role, often using more than one bassist on the same album. Kerry Magness, Leroy Vinnegar, Harvey Brooks, Ray Neopolitan, Lonnie Mack and Jerry Scheff are credited as bassists who worked with the band.^[16]^[17]^[18]^[19]^[20]

New Haven incident

Morrison's mugshot in New Haven

On December 9, 1967, The Doors performed a now infamous concert at New Haven Arena in New Haven, Connecticut, which ended abruptly when Morrison was arrested by local police. Morrison became the first rock artist ever to be arrested onstage during a concert performance.
Morrison had been "making out" with a fan backstage in a bathroom shower stall prior to the start of the concert when a police officer happened upon them. Unaware that he was the lead singer of the band about to perform, the officer told Morrison and the girl to leave, to which Morrison said, "Eat it." The policeman took out a can of mace and warned Morrison, "Last chance.", to which Morrison replied, "Last chance to eat it." There is some discrepancy as to what happened next: according to No One Here Gets Out Alive, the girl ran and Morrison was maced; but Manzarek recounts in his book that both Jim and the fan were sprayed and that the concert was delayed for an hour while Jim recovered.
Halfway through the first set, Morrison proceeded to go on an obscenity-laced tirade to the audience, explaining what had happened backstage and belittling New Haven police. Then Morrison was arrested and dragged offstage, resulting in a riot which spilled from the gates of the New Haven Arena into the streets. Morrison was taken to a local police station, photographed and booked on charges of inciting a riot, indecency and public obscenity. Charges against Morrison, as well as those against three journalists also arrested in the incident (Mike Zwerin, Yvonne Chabrier and Tim Page), were dropped several weeks later due to lack of evidence.

Waiting for the Sun

Recording of the group's third album in April 1968 was marred by tension as a result of Morrison's increasing dependence on alcohol and drugs, and the rejection of his new epic, "Celebration of the Lizard", by band producer Paul Rothchild, who deemed the work not commercial enough. Approaching the height of their popularity, The Doors played a series of outdoor shows that led to frenzied scenes between fans and police, particularly at Chicago Coliseum on May 10.

Jim Morrison

The band began to branch out from their initial form for this third LP. Because they had exhausted their original repertoire, they began writing new material. Waiting for the Sun became their first #1 LP, and the single "Hello, I Love You" was their second and last US #1 single. With the 1968 release of "Hello, I Love You", the rock press pointed out the song's resemblance to The Kinks' 1964 hit, "All Day and All of the Night". Kinks guitarist Dave Davies was particularly irritated by the similarity. In concert, Morrison was occasionally dismissive of the song, leaving the vocal chores to Manzarek, as can be seen in the documentary The Doors are Open.
A month after riotous scenes took place at the Singer Bowl in New York, the group flew to Britain for their first venue outside of North America. They held a press conference at the ICA Gallery in London and played shows at The Roundhouse Theatre. The results of the trip were broadcast on Granada TV's The Doors Are Open, later released on video. They played dates in Europe, along with Jefferson Airplane, including a show in Amsterdam where Morrison collapsed on stage after a drug binge.
The group flew back to the US and played nine more US dates before returning to work in November on their fourth LP. They ended the year with a successful new single, "Touch Me", (released in December 1968), which hit US #3. They started 1969 with a sold-out show on January 24 at Madison Square Garden.

1969–71

The Soft Parade

The Doors' fourth album, The Soft Parade, released in July 1969, contained pop-oriented arrangements and horn sections. The lead single "Touch Me" featured saxophonist Curtis Amy.
While the band was trying to maintain their previous momentum, efforts to expand their sound gave the album an experimental feel, causing critics to attack their musical integrity. According to John Densmore in his biography Riders On The Storm individual writing credits were noted for the first time because of Morrison's reluctance to sing the lyrics of Robbie Krieger's song "Tell All the People". Morrison's drinking made him difficult and unreliable, and the recording sessions dragged on for months. Studio costs piled up, and The Doors came close to disintegrating. Despite all this, the album was immensely successful, becoming the band's fourth hit album.

Miami incident

On March 1, 1969, at the Dinner Key Auditorium in the Coconut Grove neighborhood of Miami, The Doors gave the most controversial performance of their career, one that nearly "derailed the band". Morrison had recently attended a play by an experimental theater group, The Living Theatre, and was inspired by their "antagonistic" style of performance art. The auditorium was a converted seaplane hangar that had no air conditioning on that hot night, and the seats had been removed by the promoter in order to boost ticket sales. Morrison had been drinking all day and had missed connecting flights to Miami, and by the time he eventually arrived the concert was over an hour late in starting, and he was, according to Manzarek, "overly fortified with alcohol". The restless crowd of 12,000, packed into a facility designed to hold 7,000, was subjected to Morrison's lack of interest in singing shortly into "Break On Through". Morrison taunted the crowd with messages of both love and hate, saying, "Love me. I can't take it no more without no good love. I want some lovin'. Ain't nobody gonna love my ass?" and alternately, "You're all a bunch of fuckin' idiots!" and screaming "What are you gonna do about it?" over and over again. At one point, Morrison removed and threw the hat of a police officer who was onstage into the crowd and the officer removed Jim's hat and threw it. Manager Bill Siddons recalled, "The gig was a bizarre, circus-like thing, there was this guy carrying a sheep and the wildest people that I'd ever seen". Equipment chief Vince Treanor said, "Somebody jumped up and poured champagne on Jim so he took his shirt off, he was soaking wet. 'Let's see a little skin, let's get naked,' he said, and the audience started taking their clothes off." Having removed his shirt, Morrison held it in front of his groin area and started to make hand movements behind it. Manzarek later described the incident as a mass "religious hallucination".
On March 5, the Dade County Sheriff's office issued a warrant for Morrison's arrest claiming Morrison deliberately exposed his penis while on stage, shouted obscenities to the crowd, simulated oral sex on guitarist Robby Krieger and was drunk at the time of his performance. Morrison turned down a plea bargain that required The Doors to perform a free Miami concert. He was later convicted, sentenced to six months in jail, with hard labor, and ordered to pay a $500 fine. Morrison remained free pending an appeal of his conviction, and would die before the matter was legally resolved. In 2007 Florida Governor Charlie Crist suggested the possibility of a posthumous pardon for Morrison, which was announced as successful on December 9, 2010. Densmore, Krieger and Manzarek have denied the allegation that Morrison exposed himself on stage that night.

Aquarius Theatre performances

The Doors gave two concerts at the Aquarius Theatre on Sunset Blvd, Hollywood. The two shows were performed on July 21, 1969. A "backstage" performance, a so-called "private rehearsal" without an audience occurred on July 22, 1969. This was only a few months after the "Miami incident" in March of that year. Of the songs performed with an audience, "Universal Mind" and the "Celebration of the Lizard" suite were released on The Doors' 1970 Absolutely Live album, whereas "You Make Me Real" was released on Alive, She Cried in 1983. Further, the Van Morrison track, "Gloria", which was performed and recorded during the audience-less rehearsal, was also released on Alive, She Cried. Both the first and second shows along with the rehearsal the following day were released in 2001. It was at these shows that Morrison issued his poem, "Ode to L.A." while thinking of Brian Jones, the recently deceased former Rolling Stones guitarist.

***Morrison Hotel* and *Absolutely Live***

John Densmore

The Doors staged a return to form with their 1970 LP Morrison Hotel, their fifth album. Featuring a consistent, hard rock sound, the album's opener was "Roadhouse Blues". The record reached US #4 and revived their status among their core fanbase and the rock press. Dave Marsh, the editor of Creem magazine, said of the album: "the most horrifying rock and roll I have ever heard. When they're good, they're simply unbeatable. I know this is the best record I've listened to ... so far". Rock Magazine called it "without any doubt their ballsiest (and best) album to date". Circus magazine praised it as "possibly the best album yet from the Doors" and "Good hard, evil rock, and one of the best albums released this decade". The album also saw Jim Morrison returning as main songwriter, writing or co-writing all of the album's tracks. The 40th Anniversary CD reissue of Morrison Hotel contains outtakes and alternate takes, including different versions of "The Spy" and "Roadhouse Blues" (with Lonnie Mack on bass guitar and The Lovin' Spoonful's John Sebastian on harmonica).
July 1970 saw the release of The Doors' first live album, Absolutely Live.
The band continued to perform at arenas throughout the summer. Morrison faced trial in Miami in August, but the group made it to the Isle of Wight Festival on August 29. They performed alongside artists such as Jimi Hendrix, The Who, Joni Mitchell, Leonard Cohen, Miles Davis and Sly and the Family Stone. Two songs from the show were featured in the 1995 documentary Message to Love.

Jim Morrison on the day of his conviction in Miami for profanity and indecent exposure.

Last public performance

On December 8, 1970, his 27th birthday, Morrison recorded another poetry session. Part of this would end up on An American Prayer in 1978 with music, and is currently in the possession of the Courson family. The Doors' tour to promote their upcoming album L.A. Woman would comprise only two dates. The first was held in Dallas, Texas on December 11. During the Doors' last public performance with Morrison, at The Warehouse in New Orleans, Louisiana, on December 12, 1970, Morrison apparently had a breakdown on stage. Midway through the set he slammed the microphone numerous times into the stage floor until the platform beneath was destroyed, then sat down and refused to perform for the remainder of the show. Drummer John Densmore recalls the incident in his biography Riders On the Storm, where after the show he met with Ray and Robbie; they decided to end their live act, citing their mutual agreement that Morrison was ready to retire from performing.

L.A. Woman
The Doors set to reclaim their status as a premier act with L.A. Woman in 1971. The session included guitar work by Marc Benno, and bass by Jerry Scheff. The album contained two Top 20 hits and went on to be their second best-selling studio album, surpassed in sales only by their debut. The album explored their R&B roots, although during rehearsals they had a falling-out with Rothchild. Denouncing "Riders on the Storm" as 'cocktail jazz', he quit and handed the production to Botnick. The singles "L.A. Woman", "Love Her Madly", and "Riders On The Storm" remain mainstays of rock radio programming, and the latter, as of November 25, 2009, was inducted into the Grammy Hall of Fame for its special significance to recorded music. In the song "L.A. Woman" Jim Morrison scrambles the letters of his own name to chant "Mr. Mojo Risin". During the sessions, a short clip of the band performing "Crawling King Snake" was filmed. So far as known, this is the last clip of the Doors performing with Morrison. On March 13, 1971, following the recording of L.A. Woman, Morrison took a leave of absence from the Doors and moved to Paris with Pamela Courson. He had visited the city the previous summer and was interested in moving there to become a writer in exile.
While in Paris, he was again drinking heavily and using other drugs. On June 16, the last known recording of Morrison was made when he befriended two street musicians at a bar and invited them to a studio. This recording was finally released in 1994 on a bootleg CD entitled The Lost Paris Tapes.

Morrison's death

Jim Morrison's grave at the Père Lachaise Cemetery in Paris

Morrison died on July 3, 1971. In the official account of his death, he was found in a Paris apartment bathtub by Courson. Pursuant to French law, no autopsy was performed because the medical examiner claimed to have found no evidence of foul play. The absence of an official autopsy and the death certificate not having a reason of death besides heart failure has left many questions regarding Morrison's cause of death. Morrison was buried in the "Poets Corner" of Père Lachaise Cemetery on July 7. The epitaph on his headstone bears the Greek inscription "ΚΑΤΑ ΤΟΝ ΔΑΙΜΟΝΑ ΕΑΥΤΟΥ", literally meaning "According to his own daimōn" and usually interpreted as "True to his own spirit".
Morrison died at age 27, the same age as several other famous rock stars in the 27 Club. Morrison's girlfriend, Pamela Courson, also died at the age of 27.

1971–73

Other Voices

The surviving Doors continued for some time, initially considering replacing Morrison with a new singer. Instead, Krieger and Manzarek took over on vocals and The Doors released two more albums before disbanding. The recording of Other Voices took place from July to August 1971, and the album was released in October 1971. The LP featured the single "Tightrope Ride", which received some airplay.

Full Circle

The recordings for Full Circle took place during the spring of 1972, and the album was released in August 1972. The Doors went on tour after the releases in support of the albums. The last album expanded into jazz territory. For the tours during this period, The Doors enlisted Jack Conrad on bass and Bobby Ray Henson on rhythm guitar. While neither album has been reissued on CD in the United States, they have been released on 2-on-1 CDs in Germany and Russia.

Break-up

The group disbanded in 1973 and Krieger and Densmore would go on to form The Butts Band from 1973-1975. Krieger, Manzarek and Densmore reunited in 1978 for An American Prayer, 1993 at the Rock and Roll Hall of Fame, 1997 in the studio to complete the Morrison penned "Orange County Suite" and 2000 for VH1's Storytellers: A Celebration and on the tribute album Stoned Immaculate: The Music of the Doors, which featured band members playing along side guest performers as well as recording new music.

Reunions

1978 – An American Prayer

The third post-Morrison album, An American Prayer, was released in 1978. It consisted of the band adding musical tracks to spoken-word recordings of Morrison reciting his poetry. The record was a commercial success, acquiring a platinum certificate. An American Prayer was re-mastered and re-released with bonus tracks in 1995.

1993 – Rock and Roll Hall of Fame

In 1993, The Doors were inducted into the Rock and Roll Hall of Fame. For the ceremony Manzarek, Krieger and Densmore reunited once again to perform "Roadhouse Blues", "Break On Through" and "Light My Fire". Eddie Vedder filled in on lead vocals, while Don Was played bass.

1997 – "Orange County Suite"

For the 1997 boxed set, the surviving members of The Doors once again reunited to complete "Orange County Suite". The track was one that Morrison had written and recorded, providing vocals and piano.

2000 – VH1's Storytellers and Stoned Immaculate

The Doors reunited in 2000 to perform on VH1's Storytellers. For this last live performance, the band was joined by Angelo Barbera on bass and numerous guest vocalists. Guest vocalists included Ian Astbury, Scott Weiland, Scott Stapp, Perry Farrell, Pat Monahan and Travis Meeks. Following the recording the Storytellers: A Celebration, the band members joined solo and together to record on the Stoned Immaculate: The Music of The Doors. These sessions also yielded new songs credited to The Doors; "Under Waterfall" and "The Cosmic Movie."

[edit] 2011 – Re:Generation

According to a Rolling Stone article dated October 6, 2011; "I like to say this is the first new Doors track of the 21st century," Ray Manzarek tells Rolling Stone of a new song he's recorded with Robby Krieger and John Densmore, as well as popular DJ/producer Skrillex (Sonny Moore). The recording session and song are part of a new documentary film, RE:GENERATION, that recruited five popular DJs/producers to work with artists from five separate genres and had them record new music. A glimpse of the results are featured in the world premiere of the trailer. Manzarek and Skrillex had an immediate musical connection. "[Sonny] plays his beat, all he had to do was play the one thing. I listened to it and I said, ‘Holy shit, that’s strong,’" Manzarek says. "Basically, it’s a variation on ‘"Milestones",’ by Miles Davis, and if I do say so myself, sounds fucking great, hot as hell."

After The Doors

The Butts Band (1973–1975)

Main article: The Butts Band

Krieger and Densmore formed The Butts Band in 1973, but disbanded in 1975 after two albums. Phil Chen who played bass on the band's second album, would later join Robby once again with Manzarek-Krieger.

Solo work (1974–present)

Manzarek made three solo albums from 1974–83 and formed a band called Nite City in 1975, which released two albums from 1977-78. Krieger released six solo albums from 1977-2010. All of the ex-Doors solo albums have met with mixed reviews. In recent years Densmore formed a jazz band called Tribaljazz and they released a self titled album in 2006.

Manzarek–Krieger (2002–present)

Main article: Manzarek-Krieger

In 2002 Ray Manzarek and Robby Krieger formed a new version of The Doors which they called The Doors of the 21st Century. After legal battles over use of The Doors name with drummer John Densmore, they changed their name several times and now tour under the name Manzarek-Krieger or Ray Manzarek and Robby Krieger of The Doors. The group is dedicated to performing the music of The Doors and Jim Morrison. John Densmore refuses to participate because of Morrison's absence, although Manzarek and Krieger have always invited him.

New releases

In 1997, the first archive material was included on the release of The Doors: Box Set, a four-CD set, one of which was a "greatest hits" type CD. Some of the material had been previously available on bootlegs. A notable inclusion on the compilation was a CD of highlights from the 1970 Felt Forum concert and a cleaned-up recording of the (edited) 1969 "Rock Is Dead" session. The surviving members again re-united to add new musical backing to the solo Morrison song "Orange County Suite".
The 1999 Complete Studio Recordings box set only included the first six studio albums (omitting An American Prayer, Other Voices and Full Circle), and the Perception box set, released on November 21, 2006, continued the same trend omitting the three post-Morrison studio albums. The 2006 box set contained about two hours of mostly unheard studio outtakes from the first six albums. Each album was represented by two discs: a CD of the album and the bonus tracks, and a DVD-Audio with both stereo and 5.1 surround sound mixes (produced and mixed by Bruce Botnick) in 96 kHz/24-bit LPCM, Dolby Digital, and DTS, as well as mostly previously released video footage. The discs were accompanied by new liner notes by Botnick and articles from several music critics and historians for each album.
Following the recording of Storytellers: A Celebration, the band members joined solo and together to record for Stoned Immaculate: The Music of The Doors. These sessions also yielded new songs credited to The Doors; "Under Waterfall" and "The Cosmic Movie."
In November 2000, The Doors announced the creation of Bright Midnight Records, a label through which 36 albums and 90 hours of previously unreleased Morrison-era Doors material would be made available on CD. This was launched with a sampler of forthcoming material, mostly from live concerts. The first full release was a two-CD set of the May 1970 show at Detroit's Cobo Center, notable for being, according to Doors manager Danny Sugerman in its liner notes, "easily... the longest Doors set ever performed." It was followed by two CDs of interviews, mostly with Morrison, and the two 1969 Aquarius shows and one of the rehearsals. A four-CD set Boot Yer Butt included bootleg quality material but sold out nevertheless. It was notable for the inclusion of the only known performances of songs from L.A. Woman including the title track and "The Changeling" from The Doors' final recorded show in December 1970, Dallas, Texas. In 2005, a two-CD concert from Philadelphia in 1970 was released.
Many bootleg recordings are available of the group. Among them are a wealth of shows from March 1967 at the Matrix Club in San Francisco. Many shows are available from 1968 when the band reached the height of its popularity, notably two shows in Stockholm, Sweden. The infamous Miami show has become widely available while many 1970 shows, notably a radio broadcast of the June 5 Seattle and June 6 Vancouver show, make the rounds. The complete 1969 Rock Is Dead studio jam was discovered in the mid 1990s. In Rock is Dead and in interviews Morrison makes it clear that the music is a continued exploration of the Dionysian mythic content that had informed his earlier poetry. The apocalyptic elements in the music and the poetry were ahead of the music of the day; later groups like Nirvana are influenced by The Doors. We also have to consider the possible influence of Pamela Courson.
In July 2007, Rhino announced the release of The Doors – Live In Boston, a three-disc live album by The Doors. It was recorded on April 10, 1970, as part of the Absolutely Live tour. This is part of previously unreleased material of the Bright Midnight Archives collection of live albums by The Doors.
In March 2008, Rhino announced the release of The Doors – Pittsburgh Civic Arena, a live album by The Doors released in 2008. The concert was recorded in Pittsburgh at the Pittsburgh Civic Arena on May 2, 1970. This is part of previously unreleased material of the Bright Midnight Archives collection of live albums by The Doors.
In November 2008, Rhino announced the release of The Doors – Live at the Matrix 1967, a double live album compiled and resequenced from recordings made on March 7 and 10, 1967 at The Matrix in San Francisco by club co-owner Peter Abram. The recording is notable because it is one of the earliest live recordings of the band known to exist: The Doors had recorded only one album by March 1967, "Light My Fire" had yet to be released as a single, and they were still relatively unknown outside Southern California.
In November 2009, Rhino announced the release of The Doors – Live in New York, a six-disc box set of the final four concerts performed by The Doors on January 17 and 18, 1970 at the Felt Forum in New York City. About a third of the material on the set was previously unreleased.
In April 2010, Rhino announced the release of The Doors – When You're Strange: Music From The Motion Picture, a single disc of the soundtrack to the 2010 documentary film, narrated by Johnny Depp, about The Doors and their music. The soundtrack features 14 songs from The Doors’ six studio albums, with studio versions mixed with live versions, including performances from The Ed Sullivan Show, Television-Byen in Gladsaxe, Felt Forum in New York and The Isle of Wight Festival.
In November 2010, Rhino announced the release of The Doors – Live in Vancouver 1970, a two-disc live album. It was recorded on June 6, 1970 in Vancouver, Canada. Vince Treanor, The Doors’ tour manager, recorded the show for the band on a Sony reel-to-reel using two microphones placed on the stage. While not a multitrack high fidelity recording, it is clean, quiet and clear, allowing the unbridled energy of the performances to shine through. This is part of previously unreleased material of the Bright Midnight Archives collection of live albums by The Doors.
When You're Strange was released in April 2010. It is, as Ray Manzarek says, the true story of The Doors, told through use of new interviews and previously unreleased video footage. The film is narrated by Johnny Depp, and directed by Tom DiCillo. Rhino Entertainment released a soundtrack to the movie in March 2010, containing both live and studio recordings.
In July 2011, Rhino UK announced the release of The Doors – A Collection, a six-CD retrospective box set of the first six albums from The Doors recorded 1966-1971. It features remastered tracks by Bruce Botnik and original artwork in replicated paper sleeves.

Awards, accolades, and critical appraisal

In 1993, The Doors were inducted into the Rock and Roll Hall of Fame.
In 1998, "Light My Fire" was inducted into the Grammy Hall of Fame under the category Rock (track).
In 2000, The Doors were ranked number 32 on VH1's 100 Greatest Hard Rock Artists, and "Light My Fire" was ranked number seven on VH1's Greatest Rock Songs.
In 2002, The Doors was inducted into the Grammy Hall of Fame under the category Rock (Album).
In 2004, Rolling Stone magazine ranked The Doors number 41 on their list of the 100 Greatest Artists of All Time.
In 2007, The Doors received a lifetime achievement award at the 2007 Grammy Awards.
In 2007, The Doors received a star on the Hollywood Walk of Fame.
In 2009, "Riders On The Storm" was inducted into the Grammy Hall of Fame under the category Rock (track).
The 500 Greatest Albums of All Time by Rolling Stone magazine includes three studio albums by The Doors; The Doors at number 42, L.A. Woman at number 362 and Strange Days at number 407.
The 500 Greatest Songs of All Time by Rolling Stone magazine includes two songs by The Doors: "Light My Fire" at number 35 and "The End" at number 328.
The Doors were ranked number 20 on VH1's list of the 100 Greatest Artists of Rock and Roll.
They would become the first American band to accumulate eight consecutive gold and platinum LPs.
The Recording Academy announced the 2010 Grammy Hall Of Fame Inductees, including The Doors' Riders On The Storm.
In 2011, The Doors received a Grammy Award in Best Long Form Music Video for the film, When You're Strange, directed by Tom DiCillo.

Band members

Original members are in bold.

**The Doors and related lineups**
Rick & the Ravens (July 1965 – September 1965)	Jim Morrison – lead vocals Rick Manzarek – guitar Ray Manzarek – keyboards, vocals Pat Sullivan – bass guitar John Densmore – drums Jim Manzarek – harmonica
The Doors (October 1965 – July 1971)	Jim Morrison – lead vocals Robby Krieger – guitar, vocals Ray Manzarek – keyboards, keyboard bass, vocals John Densmore – drums, percussion
The Doors (1971–1973)	Robby Krieger – guitar, vocals Ray Manzarek – keyboards, vocals John Densmore – drums, percussion with touring musicians Jack Conrad – bass guitar Bobby Ray Henson – rhythm guitar, vocals, percussion
(1973–2002)	Group disbanded; Krieger, Manzarek and Densmore reunited in 1978, 1993, 1997 and 2000.
The Doors of the 21st Century (2002–2003)	Ian Astbury – lead vocals Robby Krieger – guitar, vocals Ray Manzarek – keyboards, vocals Angelo Barbera – bass guitar Stewart Copeland – drums, percussion
D21C / Riders on the Storm (2003–2004)	Ian Astbury – lead vocals Robby Krieger – guitar, vocals Ray Manzarek – keyboards, vocals Angelo Barbera – bass guitar Ty Dennis – drums, percussion
Riders on the Storm (2004–2007)	Ian Astbury – lead vocals Robby Krieger – guitar, vocals Ray Manzarek – keyboards, vocals Phil Chen – bass guitar Ty Dennis – drums, percussion
Riders on the Storm (2007–2008)	Brett Scallions – lead vocals Robby Krieger – guitar, vocals Ray Manzarek – keyboards vocals Phil Chen – bass guitar Ty Dennis – drums, percussion
Manzarek–Krieger (2008–2010)	Brett Scallions – lead vocals Robby Krieger – guitar, vocals Ray Manzarek – keyboards, vocals Phil Chen – bass guitar Ty Dennis – drums, percussion
Manzarek–Krieger (2010)	Miljenko Matijevic – lead vocals Robby Krieger – guitar, vocals Ray Manzarek – keyboards, vocals Phil Chen – bass guitar Ty Dennis – drums, percussion
Manzarek–Krieger (2010–Present)	Dave Brock – lead vocals Robby Krieger – guitar, vocals Ray Manzarek – keyboards, vocals Phil Chen – bass guitar Ty Dennis – drums, percussion

Discography

Main article: The Doors discography

The Doors (1967)
Strange Days (1967)
Waiting for the Sun (1968)
The Soft Parade (1969)
Morrison Hotel (1970)
L.A. Woman (1971)
Other Voices (1971)
Full Circle (1972)
An American Prayer (1978)

Videography

No One Here Gets Out Alive (1983)
Dance on Fire (1985)
Live at the Hollywood Bowl (1987)
Live in Europe 1968 (1989)
The Doors are Open (1991)
The Best of Doors (1997)
VH1 Storytellers (2001)
The Doors – 30 Years Commemorative Edition (2001)
Soundstage Performances (2002)
Classic Albums: The Doors (2008)
When You're Strange (2010)

THE DOORS / waiting for the sun

2011-12-09T15:39:00.001+07:00

Waiting for the sun

Bit rate: 320kps

LINK: waitingforthesun

1. Hello, I love you
2. Love street
3. Not to touch the earth
4. Summer's almost gone
5. Wintertime love
6. The unknown soldier
7. Spanish caravan
8. My wild love
9. We could be so good together
10.Yes, the river knows
11.Five to one
12.Albinoni's adagio in G Minor
13.Not to touch the earth (dialogue)
14.Not to touch the earth (take1)
15.Not to touch the earth (take2)
16.Celebration of the lizard

This is a very underrated Doors' album. So many great songs are on this album. Jim's voice is great here. Ray Manzerek's Organs is amazing a always but what really shines is Robby Kriegers guitar its at its best on Waiting for The Sun. Jim Morrisons lyrics are best here. just Listen to "Five To One" the best Doors' song ever great lyrics, Kreigers best solo (solo remade by Ace Freely on She and Pearl Jam on Alive!) this is really the best song by the band, dont believe me pick up the record and listen! "Love Street" is classic Jim's best vocal performance ever! "Hello I Love You" big Doors hit but I dont like it that much. "Not To Touch The Earth" and "The Unknown Solider" are classic Morrsion lyrics, some of his best. "My Wild Love" is just Jim and only Jim doing what he does best.... "the other big highlight is "Yes The River Knows" which is like no other the Doors have ever made and its really a great ballad. all the other songs are great as well but these songs stand out the most. These is one of the better Doors albums along with the debut and "L.A. Woman."

.

GET YOUR VISIONS BACK 20/20, NO MORE SPECTACLES.

2011-12-09T15:04:00.002+07:00

Dear Friend,

After more than 25 years in the ophthalmology business I ironically had to lose an eye to be able to see the obvious...

I was NOT really helping people, but rather just covering up the deeper problem.

One day I discovered the work of Dr. W.H. Bates and it profoundly changed my life and my practice as an optical doctor. It shooked me to the core when I realized:

Dr. William H. Bates

	How glasses and contacts are practically guaranteed to ruin your vision over time... (and a little known way to prove it for yourself!)
	The obvious and overlooked reason why optometrists and doctors are so misinformed and skeptical to Dr. Bates natural vision improvement... (No, it's NOT a big conspiracy of self-interest and profit like many people seem to think!)
	Dr. W.H. Bates hidden-in-plain-view secret that speeds up recovery with more than 400% and massivly improves Myopia (near-sightedness), Hyperopia (far-sightedness), Presbyopia (Old-Age Sight), macular degeneration, eyestrain, Glaucoma and more within mere weeks of starting the program...

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If you want to reverse Myopia, Hyperopia and other serious conditions, and at the same time restore your vision naturally without expensive and harmful surgery, then you don't want to miss the insights I'm going to reveal here...

But before we delve deeper into my discoveries let's...

“ Listen To What Other People Have To Say..."

People write me all the time telling me how grateful they are to finally being able to escape their life-long dependency on glasses and contacts...

Carol Walker
Nevada, USA

"My optician really couldn't believe it!"

"Hello... Thanks for your fast reply and advice... I have started the program around a month ago and went to do an eye test just this morning. My optician really couldn't believe it! He was so surprised with my improvement that he said that he never saw anything like it. (Not without surgery at least!) I gave him your website address and he said that he is going to check it out and try it himself. Thank you for making this available to us!"

[View Testimonial Proof]

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Mexico

"This proves that your system works..."

"Hi, this is a great testimonial from Kelvin, would it be fine if we published this breakthrough on our website? We have still got so many skeptics and options telling me that its not possible to improve one’s vision, but hey, who cares, because my parents, wife and I have been following your program successfully and this proves that your system actually works! We will get there, as more and more people are improving their vision and talking about it. Thank you." [View Testimonial Proof]

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Washington DC

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"Hi Doctor! I want to give a personal testimonial and highly recommend your program for anyone that wants to improve their vision. I have been suffering from short-sightness since a very young age. I was considering laser surgery but it’s expensive and dangerous. Fortunately, after giving a try to this modest program, my vision improved to a degree that I hardly need to wear contacts anymore" [View Testimonial Proof]

“No, It's NOT A Big Conspiracy...”

Many people wonder why their doctor or optometrist never informed them about natural alternatives to expensive and harmful contacts, glasses, and laser eye surgery...

With more than 25 years in the field I can assure you... it's not a big fat greedy conspiracy between doctors, optometrist, and the optometry industry.

Most doctors and optometrist out there are good people who want nothing but the best for their patients. I should know because I was like that for years... kept in the dark by ignorance.
What I'm saying is this:

Education is a wonderful thing, but the downside of filling your head with "knowledge" is that it makes less room for being open to alternatives.

Mostly every eye doctor and optometrist truly believe that THEY KNOW BEST... and quite frankly, they have to... The grim alternative is to face a life crises (like I did), and the complete breakdown of their current life and practice.

The optometry industry is one thing... but it's no use blaming your doctor or optometrist for being ignorant. Rather be happy you've been lucky enough to stumble upon this quick and reliable way to regain your natural vision abilities.

Because, it's a sad fact that...

“Research Has Proven That Wearing Glasses And Contacts Will Destroy Your Vision Over Time...”

Of course, Dr. Bates realized this over 90 years ago...



	“If glasses are worn continuously over time the poor vision will generally become worse. Essentially what glasses do is lock the eyes into their refractive state and in order to see through your lenses you have to maintain the poor vision that the lenses are designed to correct.” Wm H Bates: Perfect Sight Without Glasses 1920

Here are some quotes from more recent research...



	“ Minus lenses (glasses) are the most common approach, yet the least likely to prevent further myopic progression (nearsightedness). Unfortunately, they increase the near point stress that is associated with progression. ” May, 1984. Optometric Extension Program Foundation



	“The use of compensatory lenses (glasses and contacts) to treat or neutralize the symptoms does not correct the problem. The current education and training of eye care practitioners discourages preventive and remedial treatment.” Gottlieb, 1982. Journal of Optometry and Visual Development

Here's a simple way you can prove this for yourself:

Put on your glasses or contacts and do some close work for two hours and then check your unaided vision... You'll see only half of what you did two hours ago.

It's really a tragedy that children and other people showing mere signs of myopia are prescribed steel framed "remedies" that will harm them for life when a perfectly natural alternative is available...

"But Wait... What About Laser Eye Surgery?"

Perhaps you're thinking; "I'll just look into corrective eye surgery so I don't have to worry about my vision being affected by glasses or contacts".

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A full eye surgery procedure will cost upwards of $5000, and there is absolutely NO GUARANTEE that you will not need your glasses again within a few months of a perfectly successful operation.

In fact, there has been numerous reports of temporary improvement that relapse into even worse conditions a few months after surgery.

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	Seeing Halos Around Lights at Nighttime..
	Worsened Vision..
	Constant Eye Infections..
	Permanent Blindness..

Perhaps you already knew this but...

In 2008, the FDA actually officially stated that they would do a full re-evaluation of the safety of laser eye surgery, specifically due to the high amount of complaints it receives on the subject every month.

What you also might not know is that on top of the huge surgery expenses you'll pay, you'll also be bothered with inconvenient doctor visits for months after the treatment...

“If Glasses and Contacts Harms Vision and Surgery Is Too Risky, Then How Can I
Improve My Eyesight?”

Now, pay careful attention:

You already have the ability to get perfect vision – naturally...
You just need to know the latest and most effective way to fine-tune and naturally heal the amazing instrument that is the human eye.

More about that in a little while...

First, let's take a brief look at what causes your vision problems in the first place...

When you were born, doctors didn't check your eyesight as they pulled you from your mother's womb. And, guess what? Eventually, you learned to crawl and walk, without the use of glasses. Didn't you?

Here's another example to consider...

If you've been to remote locations such as the Amazon or have seen T.V. shows that film the way natives live in the wild. You may have seen them how they hunt for food, build tools and make crafts. But, you'll never see these naturalists squint their eyes, or struggle to focus on their prey.

So, if you didn't need glasses as a small child and neither do those living in the wild; then why are many people today so dependent on wearing glasses or contacts?More

ALICE COOPER / love it to death

2011-12-06T12:31:00.000+07:00

Love it to death

Bit rate: Free Lossless Audio Codec

LINK: loveittodeath

Alice Cooper - Love It To Death (1971)(24K Gold Remaster 2009)

After the 24K success of "School's Out" and "Killer", Audio Fidelity completes our 2009 Alice Cooper Trilogy with the band's 1971 major label debut, "Love It To Death". After 38 years die-hard fans still argue over which is the best.
Captivating from the start and not a bit of filler, this album introduced the truly unique band to the mainstream with songs that forever sound new and original including, "Ballad of Dwight Fry", "Is It My Body" and a Cooper's trademark, “I'm Eighteen” (one of the all-time great coming of age songs). They incorporate blues, jazz, even songs styled after Broadway showtunes...and it's all ground-breaking Rock & Roll, in that the group firmly established their voice and personna. Punk? Glam? Shock-Rock? Horror-Rock? Heavy Metal? Anything created since, it all starts here.

Alice Cooper's third album, Love It to Death, can be pinpointed as the release when everything began to come together for the band. Their first couple of albums (Pretties for You and Easy Action) were both largely psychedelic/acid rock affairs and bore little comparison to the band's eventual rip-roaring, teenage-anthem direction. The main reason for the quintet's change was that the eventually legendary producer Bob Ezrin was on board for the first time and helped the Coopers focus their songwriting and sound, while they also perfected their trashy, violent, and theatrical stage show and image. One of the band's most instantly identifiable anthems, "I'm Eighteen", was what made the album a hit, as well as another classic, "Is It My Body". But like Alice Cooper's other albums from the early '70s, it was an incredibly consistent listen from beginning to end. The garage rocker "Caught in a Dream" as well as the ass-kicking "Long Way to Go" and a pair of epics — the Doors-esque "Black Juju" and the eerie "Ballad of Dwight Fry" — showed that Alice was easily in league with other high-energy Detroit bands of the era (MC5, Stooges). Love It to Death was the first of a string of classic releases from the original Alice Cooper group...G. Plato

The album was ranked number 460 on Rolling Stone magazine's list of the 500 greatest albums of all time.

Codec: flac
Size: 214 MB
Genre : Rock
Cover: Front

Line-up

Alice Cooper - vocals
Glen Buxton - lead guitar
Michael Bruce - rhythm guitar, keyboards
Dennis Dunaway - bass guitar
Neal Smith - drums

Tracklist:

01 Caught in a Dream 3:04
02 I'm Eighteen 3:00
03 Long Way to Go 3:01
04 Black Juju 9:09
05 Is It My Body 2:39
06 Hallowed Be My Name 2:25
07 Second Coming 3:02
08 Ballad of Dwight Fry 6:32
09 Sun Arise 3:53

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You've never heard your favorite music sound this good! The clarity is truly exceptional. Treat yourself to a musical experience you've never had before. Our new 24 K+ compact discs reproduce the ultimate sound of a classic recorded performance without the irregular plated surfaces of standard aluminum discs. Our 24K+ series brings you classic music in deluxe packaging with see-through slip cases. We only use the master mix played back on a specially constructed playback deck. Here's where the PLUS (+) comes in: The analog masters are put through our new proprietary analog to digital converter which reinforces the resolution of the original masters adding true "breath of life" to the music. Without any further sonic manipulation the master is shipped directly to the manufacturing plant for etching in "real time" onto the glass surface by laser. The end result of this unique mastering process is a compact disc with the warm sound of the original analog master tape combined with a genuine 24 karat gold surface free of any type of physical defect making our 24K+ Gold CD series truly one of a kind.

The original dynamic range of this recording was not maximized, brickwalled, limited or compressed in any way during remastering.
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ALICE COOPER / billion dollars babies

2011-12-06T10:29:00.000+07:00

billion dollars babies

Bit rate: 320 kps

LINK: billiondollarsbabies

Alice Cooper - Billion Dollar Babies (1973) (2CD Deluxe Edit 2001)

Rock star opulence came to an explosive head in 1973 when the Alice Cooper Group hit #1 on the U.S. and worldwide charts with Billion Dollar Babies, their sixth and most successful album. Produced by Bob Ezrin, it is also one of the best rock ’n’ roll records of all time, and the subsequent tour became the biggest rock production to date. Capitalizing on the album’s themes of good-old decadence and horror, the show climaxed with a guillotine execution of Alice. The album and the tour made the band into the world’s preeminent pied pipers of teenage trash culture.

Now, a few decades later, we have given Billion Dollar Babies the deluxe Rhino treatment—the complete remastered album in its entirety remixed by Ezrin himself, plus an entire second disc of 14 rare and previously tracks. The latter includes 11 live cuts from the infamous Billion Dollar Babies tour, two outtakes from the album sessions, and “Slick Black Limousine,” a rare U.K. single. Housed in a digi-pak that duplicates all original album art, it also features an expanded booklet of lyrics, new liner notes, and tons of rare photos!...Rhino Records

For me Alice Cooper's career divided neatly into two parts: Alice Cooper the band and Alice Cooper the solo artist. I never was captivated by his solo career, but the Alice Cooper band was one of the best rock bands of the early Seventies. From 1971's Love It To Death through 1973's Billion Dollar Babies, the band produced a series of rock solid albums--and I even saw them in concert twice, including their Billion Dollar Babies Tour.
That's what makes this reissue such a treat. The second disc provides killer live versions of eight of the ten album tracks--only "Generation Landslide" and "Mary Ann" are not included. One track each is also included from their three earlier albums: Love It To Death ("I'm Eighteen"), Killer ("Dead Babies") and School's Out ("My Stars"). In addition you get the Elvis-inspired outtake "Coal Black Model T," which eventually evolved into "Slick Black Limousine" (also included here). The other outtake is "Son of Billion Dollar Babies," which is essentially an alternate take of "Generation Landslide" minus the lyrics from the second half of verse two.
The expanded 24-page booklet is also a treat. [Check out the photo on page 11 of Donovan recording the title track with Alice!]
Sure, Alice Cooper is probably most remembered for the mascara, boa constrictors and guillotines. However, if you listen to the music, you'll discover one of the tightest rock bands of the era...S.Vrana

Codec: mp3

Size: 226 MB
Genre : Shock Rock

Track List:

CD 1

01 Hello Hooray 4:14
02 Raped and Freezin' 3:15
03 Elected 4:05
04 Billion Dollar Babies 3:39
05 Unfinished Sweet 6:17
06 No More Mr. Nice Guy 3:05
07 Generation Landslide 4:31
08 Sick Things 4:18
09 Mary Ann 2:19
10 I Love the Dead 5:08

CD 2

01 Hello Hooray (Live Version) 3:04
02 Billion Dollar Babies (Live Version) 3:47
03 Elected (Live Version) 2:28
04 Eighteen (Live in 1973 Version) 4:50
05 Raped And Freezin' (Live Version) 3:14
06 No More Mr. Nice Guy (Live Version) 3:07
07 My Stars (Live Version) 7:32
08 Unfinished Sweet (Live Version) 6:01
09 Sick Things (Live Version) 3:16
10 Dead Babies (Live Version) 2:59
11 I Love The Dead (Live Version) 4:48
12 Coal Black Model T (Outtake) 4:28
13 Son Of Billion Dollar Babies (Generation Landslide) (Outtake) 3:45
14 Slick Black Limousine (Remastered UK Release) 4:26

Willy's rock

DEAD OR ALIVE / The best gold hits

TOM TOM CLUB / boom boom chi boom boom

Tom Tom Club

Biography

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WEATHER REPORT / domino theory

WEATHER REPORT / live in Tokyo

THE DOORS / an American prayer

SOCRATES / phos

LED ZEPPELIN / greatest hits 2008

PARADISE LOST / one second

Yeast infection

PARADISE LOST / icon

PARADISE LOST / draconian times

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THE DOORS / Morrison hotel

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Break-up

Reunions

1978 – An American Prayer

1993 – Rock and Roll Hall of Fame

1997 – "Orange County Suite"

2000 – VH1's Storytellers and Stoned Immaculate

[edit] 2011 – Re:Generation

After The Doors

The Butts Band (1973–1975)

Solo work (1974–present)

Manzarek–Krieger (2002–present)

New releases

Awards, accolades, and critical appraisal

Band members

Discography

Videography

THE DOORS / waiting for the sun

GET YOUR VISIONS BACK 20/20, NO MORE SPECTACLES.

ALICE COOPER / love it to death

ALICE COOPER / billion dollars babies

***Morrison Hotel* and *Absolutely Live***